The intro will be great bump music for some radio show or TV event coverage.Īnthony Easton: He says he leaves it all out there, but this song keeps it all in - the nostalgia, the awareness of form, the flirting without fucking, even the bellow of the voice. Rateliff’s pensive mumbling codes as “worried,” at least. And then it spoils it by putting a grey song with an even greyer vocal on top of it. It’s like Rateliff and his appallingly-named band were engineered in a lab for maximum middle-aged summer festival impact.Įdward Okulicz: Comes out of the blocks in a rather lively, catchy fashion with the bass and piano having real energy to them.
Thomas Inskeep: Zac Brown Band x Dave Matthews Band = no, thank you. Katherine St Asaph: Your band name is the Night Sweats, not the Perfectly Pleasant Days on the Porch. But he could just be mumbling into his beard. That leaves the prettiest moments as the best, but there’s a long way between them.Īlfred Soto: Nathaniel Ratelifff does have a worried burr. Iain Mew: For all the giving it big on emotions and promises to “leave it all out there” it’s a curiously small sounding record, with a production which sands off all the edges into into harmless fuzz. You Worry Me Nathaniel Rateliff & The Night Sweats Track 10 on Tearing at the Seams Produced by Richard Swift Release Date JanuView All Credits 1 114K You Worry Me Lyrics Verse 1 I'm. I can forgive some for that piano line, but only some. Were you up all night afraid of what the future might bring I feel fine today. I also can’t help but wish there was more drama to match the moodiness of the lyrics (especially when comparing with other recent Americana hits like “The Joke”). Am I crazy or the wind is gonna blow me down. It doesn’t all fit together as it wants to, though - the brass feels separate from the vocals feels separate from everything else. I’m a sucker for catchy things, but sometimes riffs just hit a sweet spot that means I’m bound to listen to that song, err, thirty times in a row because I can’t stop myself - I need to envelop myself in it. We hope the low score doesn’t affect your sleep too much, guys.Īlex Clifton: Songs like this have my number from that opening riff. Donnie Trumpet & the Social Experiment.I LIE HERE BURIED WITH MY RINGS AND MY DRESSES.Email (song suggestions/writer enquiries).Nathaniel Rateliff and The Night Sweats are playing a string of shows in Australia and New Zealand in the wake of their Bluesfest performance. The song contains echoes of the sounds of ’70s blues-rock, but in typical Night Sweats fashion, the song is built on its own foundations. Its subtle organ sounds give the track a classic American feel. Closing the album, it’s the perfect song to wind down to. The Night Sweats feature Joseph Pope III (bas. It’s slow burning, soulful and introspective. You Worry Me is the lead single of the fourth album by Nathaniel Rateliff & The Night Sweats released in 2018. Tearing Up The Seams shares the same name as the band’s most recent album. It’s one of the band’s greatest feel-good hits. Paul, Minnesota, and shows older couples in the crowd embracing. The song is sweet and wholesome and sends the message that love and affection have no barriers. Taken from their latest album Tearing Up The Seams, A Little Honey is a song about love, passion and desire. The accompanying clip takes the song to a new level. Instead, Rateliff channels the sounds of southern roots, with heavy guitars and passionate husky vocals. The track does not feature the band’s signature blues notes.
You Worry Me sees Nathaniel Rateliff and The Night Sweats transcend into full rock mode. The song is emotional, and details themes of gratitude, struggle and loss.
The clip is personal and intimate footage is taken from home videos documenting both the frontman and his bassist Joseph Hope’s upbringings, interspersed with clips of their respective mothers completing tedious daily routines. But, we've unlocked our previous 'Members Only' content and opened it up to. Slightly more solemn and serious than S.O.B. is Hey Mama, a song taken from the band’s latest album Tearing At The Seams. In the track, Rateliff pays homage to his mother. Notice: The Guitar Animal website referenced in this video has been discontinued.